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In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.
The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools â?? toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike â?? from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

In the ancient, rugged landscape of Rajasthan lies a haven for stone carvers. Among its geological treasures of granite, marble, quartzite, slates, and various metamorphic rocks, artists find their canvas. Notable among these are the sandstone, yellow limestone, and marbles in vibrant hues that dot this land.

The craft of stone carving is a testament to patience and precision, a journey marked by laborious steps and meticulous attention. Each stone demands its unique set of tools toothed hammers, chisels, mallets, and axes among them. The process unfolds methodically: first, the stone is shaped to its intended form, then the design is sketched onto its surface. With deft strokes, artisans wield their tools, gradually bringing forth intricate patterns and motifs. Time is a companion in this endeavor, with smaller pieces taking days to complete, while larger ones may command weeks or even months of dedication.

Rajasthan remains a cornerstone of stone carving in India, with Jaipur standing as its marble-carving heart. Here, amidst the bustling capital, artisans breathe life into marble, crafting divine images and everyday objects alike from deity sculptures to spice-grinding bowls. Across the region, each locale boasts its specialty: Kota, renowned for its gray stone floors; Barmer, where yellow marble yields to delicate carvings; Ajmer, home to rugged granites. In Dungarpur, a unique stone of soft shades transforms under oil to a deep black, coveted for its use in icon-making. In every corner of Rajasthan, the legacy of stone carving endures, a testament to human ingenuity and artistic expression.

Material: Stoneware
Reactive Color Glaze
Color: as shown in the photos

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Material: Stoneware
Irregular Shape
Reactive Color Glaze
Color: as shown in the photos

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Material: Stoneware
Reactive Color Glaze
Color: as shown in the photos

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Material: Stoneware
Reactive Color Glaze with Hand Printing
Color: as shown in the photos

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Material: Stoneware
Full Silk Screen Printing
Color: as shown in the photos

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Material: Stoneware
Embossed Shapes
Reactive Color Glaze + Sesame Glaze
Color: as shown in the photos

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Material: Stoneware
Reactive Color Glaze with Hand Painting
Color: as shown in the photos

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Material: Stoneware
Reactive Color Glaze
Embossed Shape
Color: shown as in the photos

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The depiction of the Trojan wind's dance on barley on beer mugs...
It is individually hand-decorated from two different colors of clay for beer lovers. The form of the glass is also hand-formed and therefore may not have a fully circular rim. Our beer mugs made of Stoneware clay from Troja and Gallipoli. They can be washed in the dishwasher and cooled in the freezer. Beer-lover Trojan artists produced for all beer lovers.
VOLUMES: 35-50-70-90-120 cc

Small:
MUG VOLUME (Capacity): 37-42 ml / 13-14 oz
LENGTH : 5 inches / 12,5 cm
WIDTH : 4.7 inches / 12 cm
HEIGHT : 3.3 inches / 8,5 cm

Handmade Bubble Mug from Brazilian Center for Porcelain Industry, Alexandria Egypt.

- Material: 1200C High Fired Stoneware
- Capacity: 350ml
- Features: Food Safe, Oven Safe, Dishwasher Safe, Microwave Safe
- Design: Bubble texture, handmade, unique glaze
- MOQ: 50 pieces (can mix colors)
- Colors: White, Beige, Blue, Green, Custom
- Production Time: 10-15 days
- Shipping: Worldwide via Alexandria Port
- Factory Direct - No Middleman

Irresistible (Authentic) Traditional Handmade Ceramics. In various designs, shapes, and colors.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines, and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, like pottery or sculpture, most are considered to be decorative, industrial, or applied art objects.
We have them in various designs. Get handmade art at amazing rates from us!

Handpainted stoneware dinner set.

Ceramic stoneware Moroccan painted Chidi mug.

Real gold painted Tea cup,
Stoneware,Handpainted, Handmade.

Rattan tray use for carrying hot stoneware or as a serving tray.

Ceramic stoneware dinner sets Moroccan painting hand-made Handpainted

Tortilla Plate handmade in stoneware ceramics elaborated by fine Mexican artisans

Hotel & Restaurant Wares
Dinnerware Sets
Porcelain Dinner Sets
HouseHold
Ceramic / Stonewares

Material: Stoneware
Color: Grey with RETRO Effect

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Material: Stoneware
Reactive Color Glaze

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Material: Stoneware
Color: Black with GRANITE Effect

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Material: Stoneware
Color: Grey with CEMENT Effect

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Material: Stoneware
Reactive Glaze with Dark Blue SEA effect

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Material: Stoneware
Color: VOLCANO BLACK with Matt Finishing

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Material: Stoneware
Color: Black/Brown with EARTH Effect

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Material: Stoneware
Color: Reactive EMERALD Glaze with Shinning Finishing


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Material: Stoneware
Reactive Glaze
LIght Grey with GLACIER Effert

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Material: Stoneware
Reactive Glaze with BRUSH Effect
Color: Grey or Brown

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Ceramic stoneware tea set 1 cattle, 1 cup, 1 Saucer.
We can manufacture this in any colour of buyer demand.

Potash Feldspar "A" & "B" Grade. These lumps are widely used in the production of sanitary pottery, porcelain stoneware as well as glazes. Apart from this, these lumps are used to manufacture glass, vitrified enamels, ceramics, wind plates, etc.

It is a high quality product made from real stone powders.
Also real raw beech wood is used for the base of the incense holder and the wood is shaped by hand carving.
A pebble pedestal is sent to prevent the conical incense from burning the tree.
The incense may go out depending on the air flow in the environment, and you can continue to use the extinguished incense by burning it again.

There may be minor superficial differences because of the nature of handmade.
The light used in the photo shoot can change the color of the product. So the color of the product to be sent may be a little dark or a little light.
As natural wood is used, the color and patterns of the tree vary.
You can see samples of the bases to be sent in the product gallery.

Diameter for moon figure: 10 cm / 4 inch
Dimater for wood tray: 12 cm / 4.7 inch

I designed The Athena Sculpture for Daejeon Expo Aquarim. Athenas Model size 75 cm and this is model of the orginal statue. Upon popular demand, I decided to produce 7 of the model of Athena. If you interested you can see the details from my instagram https://www.instagram.com/p/CZcD0tytRfN/

My hometown is the city of Troy shaped by nature and history, so every work I produce carries the wisdom of the spirits of Troy.

About Athena: or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear.

In Greek mythology, Athena was believed to have been born from the forehead of her father Zeus. In some versions of the story, Athena has no mother and is born from Zeus' forehead by parthenogenesis. In others, such as Hesiod's Theogony, Zeus swallows his consort Metis, who was pregnant with Athena; in this version, Athena is first born within Zeus and then escapes from his body through his forehead. In the founding myth of Athens, Athena bested Poseidon in a competition over patronage of the city by creating the first olive tree. She was known as Athena Parthenos "Athena the Virgin," but in one archaic Attic myth, the god Hephaestus tried and failed to rape her, resulting in Gaia giving birth to Erichthonius, an important Athenian founding hero. Athena was the patron goddess of heroic endeavor; she was believed to have aided the heroes Perseus, Heracles, Bellerophon, and Jason. Along with Aphrodite and Hera, Athena was one of the three goddesses whose feud resulted in the beginning of the Trojan War.

It's completely handmade, even the snake's skin.
First we designed and shaped the shield by clay. After we decided up the design, took mold of this clay shield. Now we're using mold to produce this shield but mold belongs us too. Final product is a mix design of polyester. To produce strong and resistant products, i use my own formula which includes densely polyester.
This difficult and long process of production as in pictures, makes it precious, special and "unique wall decor".

Please be aware that, due to the fact that our products are either individually cast, carved, hand painted and hand finished, there will inevitably be minor variations in size, colour and texture.

This is a quite large wall decor, 32 inches/80cm diameter and quite heavy, about 12 kg.

The shield is equipped with a solid holder on the back side.

The first ceramic in history was produced in Anatolia, which is my homeland, around 6000 BC.
So what makes ceramic still preferred today is that the pieces produced 8000 years ago are still intact.

Unique handmade ceramic Trojan Horse from the land of where Trojan War has occurred.
The Trojan War is the first east-west war in history, which took place 3200 years ago. Odysseus' idea of the Trojan Horse (a wooden horse) won the war for the Ancient Greek.
The term "Trojan Horse" has come to refer to subversion introduced from the outsider.

And this ceramic Trojan Horse art depiction is made in the land of where Trojan War occurred, also, Troya is within the borders of Ã??anakkale, the city where I live.

Therefore, every piece of work we produce carries the traces of the labor and traditional wisdom of artists and masters in Troya.

This is an indigenous art, designed as indigenous art of an horse shaped oil olive bottle however used as a decorative object (not a tableware).

A ceramic masterpiece signed by ceramic artist �°hsan Ayata.

Height: 39 cm / 15.3 inches
Width: 31 cm / 12.2 inches
Dept: 9 cm / 3.5 inches

Figure tutsuluk are manufactured with natural stone stone powder.
Carving wood by hand to the table raw and real tutsulug have been shaped by beech tree was used.
And bring out the texture of the tree to protect the tree and the colors are 1. Class teak oil has been applied.
Incense ash to avoid the middle part of the tree is carved in.
Stick incense, in order to be opened a small hole on the inner side of the mouth of the figure.

Organic Satya incense gift box are sent as a brand. (15 g), Bamboo Bar, wood dust, plants, honey, prepared with organic oils and incense resins are produced with the traditional method of hugs in India. Do not contain carbon.

The texture of clay models made with stones collected from the coast of Assos has been transferred from the mold after it was taken.
Finally, the mold is manufactured with the loss of the dust to the actual stone figure.

Stone height: cm head length ranged from 7.5 cm 28-30 CM.

It is handmade in the tone to be sent because there may be very little difference in the texture and color of the figure.
We use the natural patterns of the wood to be sent to the color of the base and contains a diversity of.
In the gallery you can see examples of the base product to be sent.

Figure tutsuluk are manufactured with natural stone stone powder.
Carving wood by hand to the table raw and real tutsulug have been shaped by beech tree was used.
And bring out the texture of the tree to protect the tree and the colors are 1. Class teak oil has been applied.
Incense ash to avoid the middle part of the tree is carved in.
Stick incense, in order to be opened a small hole on the inner side of the mouth of the figure.

Organic Satya incense gift box are sent as a brand. (15 g), Bamboo Bar, wood dust, plants, honey, prepared with organic oils and incense resins are produced with the traditional method of hugs in India. Do not contain carbon.

The texture of clay models made with stones collected from the coast of Assos has been transferred from the mold after it was taken.
Finally, the mold is manufactured with the loss of the dust to the actual stone figure.

Stone height: cm head length ranged from 7.5 cm 28-30 CM.

It is handmade in the tone to be sent because there may be very little difference in the texture and color of the figure.
We use the natural patterns of the wood to be sent to the color of the base and contains a diversity of.
In the gallery you can see examples of the base product to be sent.

Figure tutsuluk are manufactured with natural stone stone powder.
Carving wood by hand to the table raw and real tutsulug have been shaped by beech tree was used.
And bring out the texture of the tree to protect the tree and the colors are 1. Class teak oil has been applied.
Incense ash to avoid the middle part of the tree is carved in.
Stick incense, in order to be opened a small hole on the inner side of the mouth of the figure.

3 organic brand satya incense are sent as a gift. (15 g), Bamboo Bar, wood dust, plants, honey, prepared with organic oils and incense resins are produced with the traditional method of hugs in India. Do not contain carbon.

The texture of clay models made with stones collected from the coast of Assos has been transferred from the mold after it was taken.
Finally, the mold is manufactured with the loss of the dust to the actual stone figure.

Stone height: cm head length ranged from 7.5 cm 28-30 CM.

It is handmade in the tone to be sent because there may be very little difference in the texture and color of the figure.
We use the natural patterns of the wood to be sent to the color of the base and contains a diversity of.
In the gallery you can see examples of the base product to be sent.

He Cat incense holder is high quality product made from real stone dust. Our 100% hand-made Cat figure is Designed by Trojan artists. A glossy acrylic varnish has been applied to the stone to give it a wet look. And it is painted.
Also, real raw beech wood is used for the base of the incense holder and the natural wood is shaped by hand carving. There may be minor superficial differences because of the nature of handmade. The light used in the photo shoot may make the colour of the product slightly different. Also Therefore, the colour of the product to be sent may be a little dark or a little light.
This Cat incense holder will be a perfect gift for someone who loves animals and home little decor. Make your living room, bedroom, yoga room or workplace look unique and authentic.
The cat figure incense holder will also look great on your console.
What you will get:
Cast-Stone made Cat incense holder
Wooden base

Stone Head incense stick burner is high quality product made from real stone dust. Our 100% hand-made cheiftain figure are made from cast stone. Real rare stone powders were casted on the mold to craft the figure.
A glossy acrylic varnish has been applied to the stone to give it a wet look. And it is painted.
Also real raw beech wood is used for the base of the incense holder and the natural wood is shaped by hand carving. Please note that our products are hand-made. There may be minor superficial differences because of the nature of handmade. For exmple the texture and color of the figures may slightly change.
The light used in the photo shoot may make the color of the product slightly different. Therefore, the color of the product to be sent may be a little dark or a little light.
What you will get:
Cast-Stone made cheiftain incense holder
Wooden base

The Dog incense holder is high quality product made from real stone dust. Our 100% hand-made Bulldog figure is Designed by Trojan artists and made from cast stone. A glossy acrylic varnish has been applied to the stone to give it a wet look. And it is painted.
Also real raw beech wood is used for the base of the incense holder and the natural wood is shaped by hand carving. Please note that our products are hand-made. There may be minor superficial differences because of the nature of handmade. For exmple the texture and color of the figures may slightly change.
The light used in the photo shoot may make the color of the product slightly different. Therefore, the color of the product to be sent may be a little dark or a little light.
What you will get:
Cast-Stone made dog incense holder
Wooden base

The Puppy Dog incense holder is high quality product made from real stone dust. Our 100% hand-made Puppy Dog figure is Designed by Trojan artists. A glossy acrylic varnish has been applied to the stone to give it a wet look. And it is painted.
Also, real raw beech wood is used for the base of the incense holder and the natural wood is shaped by hand carving. There may be minor superficial differences because of the nature of handmade. The light used in the photo shoot may make the colour of the product slightly different. Also Therefore, the colour of the product to be sent may be a little dark or a little light.
This Puppy Dog incense holder will be a perfect gift for someone who loves animals and home little decor. Make your living room, bedroom, yoga room or workplace look unique and authentic.
The cat figure incense holder will also look great on your console.
What you will get:
Cast-Stone made puppy incense holder
Wooden base